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packbat: A bat wearing a big asexual-flag (black-gray-white-purple) backpack. (Green RZ)
Friday, January 13th, 2006 09:35 pm
Stepping away from actually playing for a moment, I want to talk briefly about some of the more sophisticated reasons why I enjoy the game of putting verse in words of one beat. I will admit I've only played it a little (I've done two poems – look for Rob Z.), and contemplated it only barely more than that, but what is Livejournal for but underdigested thoughts?

One of the odd things about the game is how turning a work of verse into words of one beat is somehow like translation into another language. It isn't – it's easier – but the resemblance remains in some respects. One of the ways in which the similarity is very useful is in how you must read the poem on which you work.

Yes, you read the poem, of course. You read it, and meditate on it, and share it with your friends, and this is a fine and noble thing. Nevertheless, when playing the game of one-beat, you not only must read the poem, you have to analyse it, see every word and know the fifteen other words that could have been there and why they aren't, and recognize every allusion and know the story behind each one, note every rhythm, rhyme, alliteration, repetition, consonance, enjambment, etcetera, etcetera, etcetera. "I do that already," you say. Good, I reply; I don't. But when I work a poem into words of one beat, I do, and I enjoy the poem more for it.

That's actually my two top reasons for doing it, there, or nearly so – enjoyment and education. I do it also for exposure; there are fifteen other folk in the [livejournal.com profile] wordsofonebeat community, and all of them have read poems I have not, and will enjoy. Then, of course, there is the fourth reason – exposure. Stage-shy as I am, I still like to perform when I think I'm doing well, and I like people to care what I think.

But I am wandering, now. I'd best return to Lord Alfred Tennyson (how to turn that into monosyllables, I wonder!), and see how to make the rest of "Tears, Idle Tears" into words of one beat. Later!
packbat: A bat wearing a big asexual-flag (black-gray-white-purple) backpack. (Green RZ)
Sunday, December 18th, 2005 11:32 pm
Rain by Nick Vach. Linds.
Each storm-soaked rose has a fair, bright eye.
And this is the voice of the stone-cold sky:
"Just the boys keep their cheeks dry.
Just the boys fear in pride to cry.
Men thank God for tears.
Lone with the thoughts of their dead.
Lone with lost years.


This one was a breeze, in truth. It seems not to be on the Web, though – it may be still owned, I guess. The two-and-ten on this DOC file is a text, though, and the name of the poem is the same as here if you want to check in books.

(P.S. In my hunt to fix the first word on the last two lines, I found "lorn", a word I now like. It does not fit, though.)

Edit: Post on [livejournal.com profile] wordsofonebeat.
packbat: A bat wearing a big asexual-flag (black-gray-white-purple) backpack. (Green RZ)
Saturday, December 3rd, 2005 06:16 pm
I just found out that there was/is a group on the Net which strives to speak only in words of one beat. They have a page of poems made thus here, with an FAQ here.

I think this is a fine fun thing to do (though I know it to have been done ere this). I thought to give one of old Lord Alf. Tenn.'s works a try, or Bob Frost's, but they proved too much for me; I did not know them. In spite of that, I will try a bit of E. Pound. Not a lot of long words in this one in the first place.

The Tree
I stood still and was a tree in midst of wood,
To know the truth of things not seen before;
Of Daph. and of the green tree's bow
And those gods'-hosts, that love-pair old
That grew elm-oak in midst of wold.
'Twas not ere when the gods had been
With grace bid come, and been brought right in
Straight to the hearth of their heart's home
That they might do this awe-made thing:
Yet I have been a tree in midst of wood,
And swarms of new things known as good
That had no sense in my head's sight before.


Oh, I found the one-word thing linked here. I left the poem on the post there as well.

Ed.: The [livejournal.com profile] wordsofonebeat comm. I joined it – it is still small, though.

Ed. 2: E. Pound's work can be found not changed here, here, and some more spots I lack the space to name.