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packbat: Photo of self in front of a brick wall looking out. (three-quarter)
Wednesday, December 30th, 2020 06:44 pm

It's ... impossible, frankly, to create a space where holidays do not exist. People will accidentally wear a pin or a T-shirt or a sweater or whatever, people will barge in unnoticing and carry those events in with them, conversations will accidentally drift in directions ... even without a global pandemic and our complete lack of funds, there's no way an actual, physical establishment could be made to guarantee holidays won't intrude.

We still like the idea, though. A fictional space, representing the idea that it's okay to set an impossible boundary and be able to spend a while not having to avoid or shut out a societal celebration you don't belong in.

Not sure if it'd be better realized as a story, an interactive fiction, a Bitsy game, or something else.

packbat: A bat wearing a big asexual-flag (black-gray-white-purple) backpack. (Default)
Sunday, July 19th, 2020 09:49 pm

So, last month we wrote a blog post about the limits of the music theory we learned as a tool for actual music invention, inspired in a significant part by David Bennett Piano's video "How much music theory did The Beatles know?".

The topic has been bouncing around in our head a bit more, though. And I think I want to pull on a different tangent to David Bennett's video (which, to be clear, was really interesting and well-researched): who gets to lay claim to the Beatles as one of their own? Who owns the Beatles?

Or rather: if people describe the music of the Beatles as a matter of academic music theory, where does that leave people for whom that academic world is an enemy?

...writing this now, I want to connect this to Adam Neely's recent video on "The Girl from Ipanema": a song which was made less than it was because musicians from outside the culture and community that created it - musicians at a college in the US listening to a bossa nova album by Brazilian composers - used their authority as academics to define it in their framework and discard a great deal of what was outside their framework. Academia has that power. And people outside academia know it.

I don't think that the hostility to music theory analysis of popular music is as simple as "music theory studies boring music for stuffed shirts, it can't study truly emotional and meaningful music I love". Or I don't know if it is. I can see more reasons than hostility to analysis as a thing to be hostile to analysis as an act.

packbat: A bat wearing a big asexual-flag (black-gray-white-purple) backpack. (Default)
Sunday, July 12th, 2020 11:02 pm

Definitely losing momentum on journalling here.

We're working on another PICO-8 project that's a bit technical and hairy - we've gotten some cool results but not, unfortunately, results we consider usable. And the next thing we want to try with it is pretty messy with the mathematics.

...I don't know if it's messy. We need to figure out how we want to approach it.

I'm sure there's other stuff going on. There's the tabletop RPG Dreamwidth group we're organizing, we're doing a bunch of exercise (Wii Fitness Boxing and just, aerobics in the back yard) ... idk. We've been forgetting about this a lot.

I guess this is a post, y'all. Hopefully we'll have more to say another day.