Played through "A Good Gardener" today. Couple hours long, content warnings for war, blood, and death.
Spoilery thoughts under the cut.
( Read more... )Played through "A Good Gardener" today. Couple hours long, content warnings for war, blood, and death.
Spoilery thoughts under the cut.
( Read more... )The Humble Store sent us a receipt for our purchase of Lexaloffle's PICO-8 fantasy console at 9:13 a.m. EDT on Wednesday, September 25, 2019.
Today - Sunday, September 13, 2020 - we happened to select the "carts" folder and opened the "Properties" window to see how much we've done in that time.
For lack of knowing what to say, here are some subsets of that:
...we've done a lot in a year. We have a lot more thoughts about the assumptions of PICO-8 and the limitations of PICO-8, for good and ill. We also have a lot more experience writing code, composing music, and drawing pixel art. We have several projects done and shared with the world, several projects that are incomplete and being worked on, and a lot more that we've left idle or abandoned.
It's hard to figure out what we should say about all this, but it's clear that dropping PICO-8 into our life has catalyzed a hell of a lot of reactions in us. It's been significant.
Reminded of the existence of The Less Than Epic Adventures of TJ and Amal" today.
(Content warnings include: homophobia (incl. family), alcohol use (incl. once to blackout), smoking (nicotine and marijuana), other drugs, food (specifically non-vegan), genitals and sex on-panel, someone getting punched, discussion of stressful subjects, casual ableist language of the kind that's typical basically everywhere, background 2008 Democratic primary election.)
...I feel like we must have read it circa 2012 - kind of in the middle of our heavy webcomics-reading period. As webcomics go, it's pretty gorgeous - lovely sketch-like art with occasional vistas, generally wonderful and elaborate detail - and the story is extremely solid. The emotional dynamics feel extremely real, the dialogue is fantastic, and the plot has a good arc and meaning.
Developing an appreciation of content warnings has been weird for us, because a lot of the stuff we find really comforting and nice and valuable needs very heavy ones? Bad stuff happened to these people but this story is about something better happening to them now. And about a long car trip. And about people clicking with each other really quickly. And about a lot of different kinds of music, and about conversations at restaurants, and about stopping and looking at really wonderful scenery.
Toward the end of "A small packet", the player-envelope crosses a couple maps - one of (part of) the US mid-Atlantic region and one of (part of) the Atlantic Ocean.
While the maps are hardly detailed, these are, in fact, based on the area we live. The line under the ocean at the end is one leg of TAT-14, the one from Tuckerton, New Jersey, USA to Widemouth Bay, UK, and probably the line through which a small packet sent directly from our house to our UK friends houses would go.
Someone on the fediverse shared a link to everest pipkin's massive "Open source, experimental, and tiny tools roundup", and I decided to go down the list and talk about the ones we've touched.
Firstly, the ones we've actually tried to make something - or even succeeded at making something - with:
( Read more... )Secondly, the ones we've looked at but never tried to create in:
( Read more... )So, last month we wrote a blog post about the limits of the music theory we learned as a tool for actual music invention, inspired in a significant part by David Bennett Piano's video "How much music theory did The Beatles know?".
The topic has been bouncing around in our head a bit more, though. And I think I want to pull on a different tangent to David Bennett's video (which, to be clear, was really interesting and well-researched): who gets to lay claim to the Beatles as one of their own? Who owns the Beatles?
Or rather: if people describe the music of the Beatles as a matter of academic music theory, where does that leave people for whom that academic world is an enemy?
...writing this now, I want to connect this to Adam Neely's recent video on "The Girl from Ipanema": a song which was made less than it was because musicians from outside the culture and community that created it - musicians at a college in the US listening to a bossa nova album by Brazilian composers - used their authority as academics to define it in their framework and discard a great deal of what was outside their framework. Academia has that power. And people outside academia know it.
I don't think that the hostility to music theory analysis of popular music is as simple as "music theory studies boring music for stuffed shirts, it can't study truly emotional and meaningful music I love". Or I don't know if it is. I can see more reasons than hostility to analysis as a thing to be hostile to analysis as an act.
There are few tools as good as photography at documenting what is there. The camera almost inevitably captures an enormous wealth of detail in that span of time when it admits light into its lens - photography can record the visual element of history with incredible speed, accuracy, and fidelity. This is something to be celebrated.
...but the capturing of images with a camera does not cease to be photography when it is used to other ends.
( 550 words, including mention of food )- 🐲
The U.S. Supreme Court issued a ruling today on three cases related to LGBT+ rights - Gerald Lynn Bostock v. Clayton County, Georgia; Altitude Express, Inc., et al. v. Zarda et al., as Co-Independent Executors of the Estate of Zarda; and R. G. & G. R. Harris Funeral Homes, Inc. v. Equal Employment Opportunity Commission et al. - answering the question of whether Title VII the Civil Rights Act of 1964 prohibits employment discrimination against gay and trans people when it prohibits discrimination by sex. In, unexpectedly, Justice Neil Gorsuch's words, the answer is "yes, it is illegal to discriminate against them" (us):
An employer who fires an individual for being homosexual or transgender fires that person for traits or actions it would not have questioned in members of a different sex. Sex plays a necessary and undisguisable role in the decision, exactly what Title VII forbids.
cosmolinguist has a nice roundup post bringing up a lot of good points about how much this means (tl;dr: a lot).
...a GMless tabletop roleplaying game on itch.io, included in the Bundle for Racial Justice and Equality (ending tomorrow from time of posting) and Tabletop Treehouse BLM Bundle 2 (ending in four days).
...about understanding cities not as maps, but as neighborhoods, points of interest within them, and people to be found at those points.
...a process of yes-and - of sharing and developing and enriching ideas.
...pulses of character and place - moss roads one traverses quietly so as not to break the concentration of wizards, a relay race of ropes for an elevator to climb on as it rises or sinks, the bench one sits on after walking for hours through a market.
...considerate of the emotional safety of those who wish to create their street magic.
...kind of beautiful.
I think part of how we Packbats will approach the itch.io Bundle for Racial Justice and Equality (which is running for another two days and change from the time of this post) will be inspired by Errant Signal's "Talkin' 'Bout tiny Games". Specifically, the idea that small games do not need critics - those who can disassemble their themes and techniques, evaluate their successes and failures - so much as they need champions - those who can make public that which might otherwise be overlooked.
There are 1,659 items in the bundle. That's a lot to be overlooked.
We'll probably try to occasionally talk about what we've encountered and been delighted by in the bundle here. (For example, i'm sorry did you say street magic.) But we don't need to talk about what didn't click for us. That's not necessary.
"So, open source implementations of the API are great because it makes you feel safer that your cartridges are going to live forever and there's more things you can do with it. And, you know, in the long term, I'm, y'know, working hard to make sure that no one will lose their PICO-8 cartridges.
"But, ah, but there are good reasons for it being close source. Part of it is that there is a very large secret basement to PICO-8 that I don't want anyone to know about yet. (...please don't tell anyone.)" [audience laughter] "And also, I think if it was open source at this point, there would be many variations of PICO-8 that would sort of eat away at that shared experience. You know, everyone knows what PICO-8 is - how big a cartridge is, what the pallete and screen limitations are - and that why it's valuable, I think.
"So, over time, you know, it should be more open and fixable and safe, you know, safe in regards to preserving software; but it would be bad in the short term for that reason. So there's good and bad things about the open source business."
The longer we have spent working with PICO-8 as a tool, the more we've come to appreciate that the virtual console idea is really the least important part of what PICO-8 does. "Virtual console" is a framing for communicating about PICO-8 - for telling us, people who are not Joseph White, that the thing he made will put restrictions on us, that it's not designed to use the full power of our computers, and that what we make with it is fully ours rather than just mods on someone else's thing - but PICO-8 was not designed to help people make games they would have made on the NES or Apple II or Commodore 64 or Amiga 1000 more conveniently.
PICO-8 was designed to inspire.
It won't do that for everyone, and that's fine - nothing will inspire everyone - but:
There are a lot of reasons to not use PICO-8 - we have plenty of game ideas that we cannot fit on a 128x128 pixel screen or in a 32kb file, for example - but for anyone designing one, the words "virtual console" I think become an impediment to understanding PICO-8 and why it works. It works because it exists to inspire.
Not sure what I should be doing with my Dreamwidth, but ... eh, a public diary could be a thing. I'll see if it works for me.
Some up:
Played some Minecraft on the server I reside on.
Cooked some marinated chicken thigh I bought from the Korean mart yesterday.
Watched a friend stream a videogame.
Some down:
Still have a cough. Still haven't talked to a medical professional about it.
Haven't scheduled my labs and my endocrinology appointment either.
Not sure how well the marinated chicken sat with my digestion.
Got stressed out about a couple interpersonal things.
Some ... *shrug emoji*:
Sent an email about a thing for a group I quit, because I wanted to back up a friend of mine who's still in it and I'm still on their mailing list. Hope I wasn't out of line.
Not a lot of Tuesday webcomics in my current (much-contracted) rotation. Been digging Goodbye to Halos, though.
* PRECIPITATION TYPE...HEAVY SNOW. * ACCUMULATIONS...STORM TOTAL ACCUMULATIONS OF 18 TO 24 INCHES. * TIMING...SNOW WILL BEGIN MID-MORNING FRIDAY...AND WILL CONTINUE THROUGH SATURDAY EVENING. CONDITIONS WILL DETERIORATE RAPIDLY FRIDAY AFTERNOON...WITH HEAVIEST SNOWFALL OCCURRING BETWEEN SUNSET FRIDAY TO SUNRISE SATURDAY. THE MOST HAZARDOUS WINTER WEATHER CONDITIONS WILL OCCUR FRIDAY NIGHT. * VISIBILITIES...THE COMBINATION OF HEAVY SNOW AND STRONG WINDS WILL REDUCE VISIBILITIES TO BELOW ONE-QUARTER MILE...PRODUCING NEAR-BLIZZARD CONDITIONS AT TIMES FRIDAY NIGHT AND EARLY SATURDAY MORNING. * TEMPERATURES...HIGHS IN THE LOWER 30S FRIDAY. TEMPERATURES WILL BE IN THE MID TO UPPER 20S FRIDAY NIGHT AND SATURDAY. * WINDS...BECOMING NORTHEAST 10 TO 20 MPH FRIDAY WITH GUSTS TO 30 MPH FRIDAY NIGHT AND SATURDAY.
Have you ever participated in a seance? If not, would you consider it? What spirit would you summon and what question would you ask them? Do you believe we can get messages from the dead?