The drawing class studio was ... disorderly is probably the word. There were the strange, rectangular frames stacked towards one wall (they looked like a modern art exhibit, but were probably some kind of stools), a strange miscellany of artifacts, mostly in unusable condition, littering another wall, and a sort of low, large table in the middle. My imagination suggested that the models might pose on that table when the time came for students to draw them.
One of the first things I tried to do, waiting in the room for class to start, was identify the purpose of the debris in the rear. My eye caught a skeleton - for anatomy lessons, perhaps, though it was broken. A tricycle, sans wheels, lay on its rusted frame several feet away, in the midst of another pile of things. I began to compose a sort of still-life in my head, of a broken skeleton (there was more than one, there may have been a skull I didn't see), lying as if it had fallen from driving the tricycle. It would be a post-apocalyptic scene, perhaps.
After a couple minutes of such contemplation, I decided to perch on one of the numerous round high stools in the room. They were those metal stools, four legs, a circular frame with wood in the middle, another circle acting as a support lower down. I was not even settled when another individual came in - one of those lucky, healthy people who could be thirty or could be fifty. A moment's exchange of words revealed him to be the professor. He advised me to sit in the other half of the room, telling me that he would be speaking from that end. I did so, grabbing for myself a chair with a hard back.
As I sat there, deciding whether to occupy myself with a few moments' drawing or with the reading of more online fiction, the teacher began to arrange the tables and easels for the class. Observing my laptop, he asked me how to connect to the local wireless internet - I answered in a somewhat muddled fashion, but told him what I thought he would need to know. Soon after, he suggested I review the handouts he had spread out before class, and moved on to arrange something else.
There were four handouts, neatly stacked. In a moment, I had gathered a copy of each, and returned to my stool. I was amused to see that the inventory of items I had found for the other drawing section did not apply. Reading through the others (skimming, rather) told me little that was unexpected, and less that I remember, although I was amused to see "John Cage" attributed as author of one of them.
That reading complete, I found myself again dithering over the two options, sketchbook or laptop. In the end, I found myself needing neither - the ten minutes I had to spend vanished well before I reached an conclusion. I grabbed my notebook for the class, and was ready when the teacher began.