In the comments on
my artist-QOTD post,
jfs gave a good definition of art:
art occurs whenever a person creates something whilst trying to evoke an emotional reaction. I was just thinking about the specifics of that - why "emotional" reaction, what kinds of reactions can/does art make, what kind of moral value should we ascribe to the methods and contexts of these reactions ... I don't know if this will be coherent, but it might
be interesting interest.
I guess I'll start with Dan Brown and
Myst. No - I'll start with Agatha Christie and
Myst; it's wrong to snipe at works you haven't perused.
Wait - no, the point doesn't really work with Agatha Christie. I'd better just start somewhere, and let the chips fall as they may.
One purported property of Dan Brown's writing is that it makes the reader feel clever. Specifically,
The Da Vinci Code is accused of making its readers feel clever by showing them stupid puzzles. Assuming "feeling clever" is an emotional reaction (not much of a stretch, I think), I point out the following:
- Assuming it was on purpose, The Da Vinci Code is art.
- In addition, The Da Vinci Code is successful art in the evocative1 sense, not merely in the financial sense.
- It is being criticized for the way it evokes these feelings - its critics say it should not make the reader feel clever in this way, presumably because the reader does not earn feeling clever.
"Hey," my brain said. "What about
Myst? It
does take a little cleverness to solve those puzzles - isn't feeling clever justified there?"
I'm not going to divert to the obvious moral, here. (I was tempted, mind - any excuse to plug
Indigo Prophecy/
Fahrenheit is welcome.) Instead, I think we should consider where this idea of
justification of art, in this earned-emotion sense, leads. Is the emotional climax of
Terminator 2 justified? What about the excitement and satisfaction of a good game of
Grand Theft Auto: Vice City? Or of a good performance of Beethoven's Symphony No. 5 in C minor? Or, on a more abstract note: are
we justified in evaluating these works and the reactions they evoke? Or, higher still: are we justified in rejecting such evaluations as unworthy, or unnecessary, or inappropriate?
Comments are open.
1. "Evocative of emotional reactions". Hey, I wanted something short and snappy. ^